JASPER DE BEIJER AT UNTITLED SAN FRANCISCO (GROUP SHOW)
Asya Geisberg Gallery at
UNTITLED San Francisco
Booth B11
VIP and press preview: Thursday Jan.16, 2 – 8pm
Friday, Jan. 17, 12 – 8pm
Saturday, Jan. 18. 12 – 6 pm
Sunday, Jan. 19. 12 – 6 pm
The Admiral’s Headache – Koets | 2019 | 110 x 110 cm | edition of 7 | c-print
The Admiral’s Headache – Galjoen | 2018 | 110 x 110 cm | edition of 7 | c-print
We are excited to be returning to UNTITLED San Francisco, where we will feature new works by Jasper de Beijer, Matthew Craven, and Melanie Daniel. De Beijer will debut two photos from his new series “The Admiral’s Headache,” about Dutch colonialism in Curaçao, created with both cut paper models and digital techniques. Craven will have collages of gems and mushrooms, on movie posters from the ’60s and 70’s. Daniel is continuing her series on climate change, with fantastical narratives of women and plants in a post-apocalyptic world.
For a full PDF catalog, detail images, or any additional information on our artists, please do not hesitate to contact us. We hope to see you at booth B11!
ASYA GEISBERG GALLERY
537B West 23rd Street
New York, NY 10011
(212) 675-7525
JASPER DE BEIJER AT PAN AMSTERDAM
Flatland Gallery at the PAN Amsterdam
The Admiral’s Headache – Koets | 2019 | 110 x 110 cm | edition of 7 | c-print
With: Alice Browne, Erwin Olaf, Guy Yanai, Jasper de Beijer, Kim Boske, Stelios Karamanolis
About ‘The Admiral’s Headache’:
During his 4 month residency at the Instituto Buena Bista in Curaçao Jasper de Beijer collected information about the Dutch past in this former colony of the Netherlands. The artist was intrigued by the modular character of the buildings, ships, tools and weapons, which were in a way all part of the method of using human beings as a commodity. The administrative papers prove the instrumental character of the Dutch activities, breaking down all commodities into bits of profit or cost.
De Beijer imagined this whole system as an alien invasion on the island, using the method of compartmentalized boats and houses as prefab and modular units. He took this idea as a vantage point to imagine the ships bringing these units, unloading them like container ships and start colonizing the land to prepare it for the slaves who provided the running engine for the system.
In this world the colonialists become hidden players, only present behind their facades and their empty uniform costumes in the museums in Curacao. He recreated his version of the island, in 3D in paper – and made a desolated place in his studio, riddled with living units, storage units, prefab harbors, boats and machines that are waiting to be involuntary powered by humans, the ancestors of the current inhabitants.
DATES & OPENING HOURS
24 Nov-01 Dec 2019
24 – 27 november 12 – 9 pm
28 – 1 december 12 – 6 pm
Amsterdam RAI, Hall 8, Europaplein, 1078 GZ Amsterdam
Route & accessibility
JASPER DE BEIJER AT EYE FILM (GROUP SHOW)
EYE Film presents
Virtual Dioramas
13 – 24 November 2019
Screenshot from ‘ The Exhibition’
In the group exhibition Virtual Dioramas six Dutch artists signal how to redefine the traditional line between old and new media. The three-dimensional scenes combining virtual tableaux vivants, handmade miniatures and design, are featured in the Room at the Top and Eye’s Project Space.
Jasper de Beijer – The Exhibition. De Beijer used 3D scans of objects found in several colonial and ethnographic museums. The virtual exhibition of tableaux vivants that are continuously developed and dismantled as the visitor is moving around in the exhibition space, reflects our changing perception of the other.
Daniël Ernst – Die Fernweh Oper (winner Golden Calf 2019). Three scenes about opera star Asteria who sings a haunting elegy especially for you. Since 2013, Ernst is creating VR experiences that he describes as ‘diorama’s’. With his diorama’s he is now internationally recognized as a pioneer in his field. Premiere of the third scene of the Fernweh Oper (winner Golden Calf award Nederlands Film Festival 2019).
Celine Daemen – Opera of the Falling. A virtual reality opera and a series of handmade miniatures about loneliness and a sadness that can suddenly overwhelm us; inspired by interviews with people with psychiatrical vulnerabilities.
Eva Gonggrijp – On Entre. Gonggrijp’s grandmother built her a doll’s house, an almost perfect replica of her own home. A large part of her grandmother’s concealed colonial past, the things she lost and the things she dreamt about are reflected in the doll’s house.
Lotje van Lieshout – Superfund. Lotje van Lieshout makes oil paintings of landscapes, in this case an imaginary polluted nature area in the US and combines this with virtual reality.
Paula Strunden – Micro-utopia: The Imaginary Potential of Home. Micro-utopia is based on Utopian interiors, historical paintings and contemporary design, created in reaction to the current housing crisis in London.
About The Exhibition (Press release)
The Exhibition is a museum in virtual reality where a museum show is continuously built up and broken down while the visitor is walking around in it. The route that the visitor chooses dictates the course and content of the exhibition.
Since the birth of the museum in the 19th century dioramas are being used to show the visitor a slice of reality. These slices of pseudo reality confront the visitor with a point in time and place – frozen in a confined box, while the subjectiveness depends on era and perpective.
In The Exhibition the visitor dictates the course of the show itself by choosing a route and looking in certain directions. This makes the exhibition different for every viewer, being constructed and deconstructed accordingly.
During his stay at the Wiels residency the artist has been studying and collecting information at different ethnographic museums, to investigate how these tableaux vivants are a reflection on the zeitgeist in which they were constructed. He used the collected numerous 3D scans of objects he found there to create exhibited objects that have become actors in a narrative that tells us more about our changing perception than it does about the content of the dioramas.
Please note! Online ticket sales are not possible on 13, 14 and 15 November. On those days, tickets can only be bought at Eye’s box office.
Jasper de Beijer at Livingstone gallery (group show)
FIVE YEARS LIVINGSTONE PROJECTS BERLIN in THE HAGUE
Le Sacre du Printemps #14 | 2007 | 50 x 75 cm | edition of 7 | c-print
15/09 – 16/11/2019
door Jeroen Dijkstra, curator Livingstone Projects.
Artist(s):
Anna Paulownastraat 70 A/B
2518 BH The Hague
The Netherlands
phone: 0031 (0)70 3609428
email: livingstone@livingstonegallery.nl
Opening hours:
Wed/Sat 12:00-17:00
and every last Sunday of the month
The gallery is also open by appointment
Livingstone Projects Berlin is open by appointment only
JASPER de BEIJER at DE GROEN (group show)
Feestelijke opening van PICK ME!
We Like Art @ DE.GROEN, Arnhem, 14 september t/m 22 december 2019
Feestelijke Opening: zaterdag 14 september, 17 uur
Openingswoord door Verily Klaassen, Hoofd Kunstzaken Rabobank Nederland
DE.GROEN
Weverstraat 40
6811 EM Arnhem
Udongo #07 | 2009 | 170 x 120 cm | edition of 7 | c-print
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JASPER DE BEIJER AT WIELS (project room)
Jasper de Beijer, Flatland Gallery and WIELS cordially invite you to the opening of
THE EXHIBITION
At the project room in WIELS
Opening on the 19th of June from 6 to 9 pm|| from 9-6-2019 until 7-7-2019
The Exhibition – Screenshot
Presse release ‘The Exhibition’ (2019) Jasper de Beijer
The Exhibition is a museum in virtual reality where a museum show is continuously built up and broken down while the visitor is walking around in it.The route that the visitor chooses dictates the course and content of the exhibition.
Since the birth of the museum in the 19th century dioramas are being used to show the visitor a slice of reality. These slices of pseudo reality confront the visitor with a point in time and place – frozen in a confined box, while the subjectiveness depends on era and perpective.
In The Exhibition the visitor dictates the course of the show itself by choosing a route and looking in certain directions. This makes the exhibition different for every viewer, being constructed and deconstructed accordingly.
During his stay at the Wiels residency the artist has been studying and collecting information at different ethnographic museums, to investigate how these tableaux vivants are a reflection on the zeitgeist in which they were constructed. He used the collected numerous 3D scans of objects he found there to create exhibited objects that have become actors in a narrative that tells us more about our changing perception than it does about the content of the dioramas.
WIELS, Van Volxemlaan 354, 1190 Brussel
Special thanks to WIELS and the Mondriaan Foundation
JASPER DE BEIJER ERWIN OLAF AT THE PHOTO BASEL
During ART BASEL and Liste, PHOTO BASEL is the photo-based boutique art fair with a distinct voice! A magnet for creative people.
PHOTO BASEL runs from June 11 – 16 and is based in VOLKSHAUS Basel, a cool Swiss 1920s renovated venue by Herzog & de Meuron, with gardenrestaurant, bar and brasserie!!
Participating at PHOTO BASEL for the 4th time, FLATLAND is proud to bring NEW work of Jasper de Beijer and Erwin Olaf.
More information will follow soon!
http://www.photo-basel.com
https://www.liste.ch/en/home.html
https://www.artbasel.com/basel
The Admiral’s Headache – Galjoen | 2018 | 100 x 100 cm | edition of 7 | c-print
ART BRUSSELS 2019 & WIELS JASPER DE BEIJER
Art Brussels 37th Edition
FLATLAND BOOTH C01
37th Art Brussels, 2019
Friday 26 to Sunday 28 April, 11 am – 7 pm
Vernissage Thursday 25 April, 5 pm – 10 pm
Jasper de Beijer, Kim Boske, Stelios Karamanolis and Guy Yanai
Flatland is excited to participate again at Art Brussels Art Fair. At the annually held contemporary art fair in the capital of Europe, Flatland’s booth comprises of a quartet of artists: Kim Boske, Jasper de Beijer, Stelios Karamanolis and Guy Yanai. While the artists create significantly diverse work, the selection of works shown at Art Brussels collectively touch upon the same associative theme: 1870 – 1930. The works recall the fresh forms and procedures of artistic movements from this period, between abstract and illusionistic dream imagery, but in favour of imagery charged with meaning.
Illustrating this, is the cathedral of Jasper de Beijer, in Wir Sind das Gedachtnis #01. The dream that was Germany in 1871 is over. This series explores how a community which gets up at their feet after World War II, tries to erect silhouettes of its culture from a vague recollection of its past. The reconstruction of cityscapes, which over time can be demolished and rebuild before it loses its identity, brings promptly another cathedral to mind. The Notre Dame, caught by apocalyptic fire this week, shakes up notions of transiency and how fragile the framework of a cultural heart of a nation can be. This inspired the Parisians to recover their identity, rebuild the cathedral with the same determination they shared in former times.
WIELS – Jasper de Beijer
The Exhibition – VR / Show
Amsterdam, The Netherlands
Wed – Sat: 1 pm – 6 pm
Info@flatlandgallery.com
+31(0)20330532
NEWS – FLATLAND WELCOMES JASPER DE BEIJER
FLATLAND zeer verheugd met Jasper de Beijer (1973) (English Below)
Februari 2019
FLATLAND is zeer trots dat de Nederlandse kunstenaar Jasper de Beijer zich bij FLATLAND aansluit.
De Beijer is meedogenloos vernieuwend en FLATLAND is vereerd hem in de galerie te verwelkomen. De galerie zal zijn werk in Europa vertegenwoordigen.
De Beijer heeft in het bijzonder al vroeg een verpletterende indruk gemaakt in het uitbreiden van de taal van fotografie. Het materiaal voor zijn fotografische beelden bestaat al lange tijd uit zijn zelf gefabriceerde diorama’s, zorgvuldig samengestelde schaalmodellen en met de computer gegenereerde beelden.
Sinds zijn afstuderen aan de Hogeschool voor de Kunsten in Amsterdam en Utrecht in 1997 heeft De Beijer ononderbroken zo’n 14 projecten voltooid. Ieder project is gebaseerd op een uitgebreid researchtraject dat De Beijer zichzelf eerst oplegt. Van het verwerken van een groot aantal verslagen van ontdekkingsreizigers, antropologen en documentaire filmmakers, of het opnemen van een studie van landschapstekeningen, etsen en gravures van Nederlandse meesters als Hercules Seghers, Jacob van Ruisdael, Rembrandt van Rijn en Vincent van Gogh.
Met een mix van fotografie, tekenkunst, papier-maché, maquettes en digitale beeldbewerkingen pakt hij tegelijk het historische als het huidige beeld van zijn onderwerp beet, mengt hij westerse en niet-westerse wereldbeelden en speelt hij op sommige momenten met het toekomstige beeld. Zo verwerkt hij sinds 2017 objecten uit collecties van etnografische musea met video-gametechnologie om een virtuele omgeving te creëren die ergens tussen een museum, een theater en een fotoarchief ligt.
In dit licht voltooide De Beijer in 2018 een residentie van zes maanden in Instituut WIELS, Brussel, waar hij onder andere onderzoek deed naar het Afrikamuseum in Tervuren.
Het resultaat is te zien in juni 2019 wanneer hij in WIELS een solotentoonstelling krijgt in de projectruimte.
In 2019 was zijn werk te zien (en opgemerkt door ArtNet) bij Asya Geisberg op de beurs Untitled Art San Francisco. Verder zal zijn werk tentoongesteld worden in het Centre Photographique Rouen, Frankrijk in 2020.
Het werk van Jasper de Beijer wordt door FLATLAND getoond op de komende editie van ART ROTTERDAM – vanaf woensdag 6 februari t/m zondag 10 februari, 2019.
MEER OVER JASPER DE BEIJER:
http://www.flatlandgallery.com/artists/jasper-de-beijer/
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FLATLAND welcomes Jasper de Beijer
February, 2019
Flatland is delighted that Dutch artist Jasper de Beijer joins Flatland. De Beijer is seen as a leading figure of expanding the language of photography. The gallery will commence European representation of all his work.
Since he graduated in 1997, De Beijer has been celebrated for his modeled scenes and carefully assembled tableaux as material for his photographic images. He has since completed a total of 14 projects, each of them based upon either numerous reports of explorers, anthropologists and documentary filmmakers, or a study of landscape drawings, etchings and engravings from Dutch masters like Hercules Seghers, Jacob van Ruisdael, Rembrandt van Rijn and Vincent van Gogh; or his projects are based on the objects from the collection of ethnographic musea mixed with video-game technology to create a virtual environment which is somewhere between a museum, a theatre and a photo archive. In 2018 De Beijer finished a six month residency at WIELS, Brussels, where he has done research on the Africa museum in Tervuren (amongst others). In 2019 his work was exhibited at Untitled Art Fair San Francisco and in 2019 WIELS will host a solo show of his works in the project space. In 2020 his work will be exhibited at the Centre Photographique Rouen, France in 2020.
De Beijer is relentlessly innovative and Flatland is honored to welcome him in the gallery.
The work of Jasper de Beijer will be presented by FLATLAND at the upcoming edition of ART ROTTERDAM from February 6 until February 10, 2019.
MORE ON JASPER DE BEIJER:
http://www.flatlandgallery.com/artists/jasper-de-beijer/
Image: Jasper de Beijer, 2-28-1993 (from ‘Mr. Knight’s World Band Receiver’) 2014 c-print 170 x 137 cm
JASPER DE BEIJER AT THE UNTITLED SAN FRANCISCO (GROUP SHOW)
Asya Geisberg is proud to present the work of Jasper de Beijer, Rebecca Morgan and Trish Tillman at Booth #B31 on the Untitled Art Fair San Francisco
Untitled, Art is an international, curated art fair founded in 2012 that focuses on curatorial balance and integrity across all disciplines of contemporary art. Untitled, Art innovates the standard fair model by selecting a curatorial team to identify and curate a selection of galleries, artist-run exhibition spaces, and non-profit institutions and organizations, in dialogue with an architecturally designed venue. The next edition of Untitled, San Francisco will take place January 18 – 20, 2019.
12-26-2004 (from ‘Mr. Knight’s World Band Receiver’) | 2014 | 180 x 116 cm | edition of 7 | c-print
General Information:
January 17, 2019 Press and VIP Preview 3pm – 9pm
Open to the public: Friday, January 18, 12 – 8pm Saturday, January 19, 12 – 6pm Sunday, January 20, 12 – 6pm
Admission: General Admission: $35
Discounted Admission (Seniors and Students): $25
Groups of 15 or more: $25 per person Children under 12: FREE